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Sangetsu North America  News Letter  Number 6

                                                                                 

                                                                                                                       Spring 2009

   
 

Director’s Report:

As you will see, we have a number of activities to report and I’m sure there are many more that have been completed by Sangetsu Instructors in 2008. If you have anything you’d like to share, please consider writing a small article. I cannot tell you how inspiring it is to hear from you.

Since retiring at the end of September, I’ve had the opportunity to conduct weekly classes instead of the monthly instruction I was doing before. I’m amazed at the quick progress of the students. You will hear from Tucson student Sarah Delegge in this newsletter. As was suggested by Asst. Prof. Helena Arouca, we take pictures of the newly completed arrangements at the conclusion of class for those who want them. The photos not only provide a record of accomplishments, they illustrate the progress made. I simply download the pictures within a couple of days after class and email them out. Some of the students are making albums of their work, a great reference.

Plans are in the works for a memorial and celebration of Rev. Higuchi’s mission of bringing Johrei to North America. The event has tentatively been scheduled for June 28th 2009, at the Los Angeles Center. A Sangetsu display of about a dozen arrangements is planned. Please let us know if you are interested in attending. Accommodations at the nearby Kenmore or home-stays are being considered and a fee for the event has not yet been decided.

We will be hosting a Sangetsu Conference and Instructor Test  at the end of October of this year at the Tucson Johrei Center. You will hear more details once they are established.  Do give us a head’s up if you know you want to attend.

I hope you are all doing well. We send you all the best from Tucson!

Terry Quinn


2008 Year-End Report Sangetsu North America
 
*Two newsletters to membership completed, complied and coordinated by SNA newsletter coordinator Joan Fairs. Articles were provided by many Sangetsu Instructors.

*Proposals for a new website are continuing.

*Rev. and Mrs. Ajiki have continued the training of four Asst. Professor candidates in Tucson.

*Tucson Instructor Margaret Kearns traveled to Tacoma Park Maryland to help facilitate a Sangetsu exhibition in September 2008 entitled Recycle, Rethink, Recreate, with students under the direction of Asst. Professor Helena Arouca.

*Tucson Arizona Instructor Millicent Rucker and Vancouver Canada Instructor Rev. Shigeko Nishimura made their transitions in 2008.

*Canadian Instructor Judy Iwabuchi retired from teaching.

*Professor Rev. Ajiki traveled to the San Francisco Johrei Center in July of 2008, to demonstrate and speak at the second annual conference. Professor Suki Davis and Instructor Terry Quinn did Center arrangements and conducted a class for the conference.

*SNA Director Terry Quinn represented Sangetsu at two NAC gatherings at the Redondo Beach Johrei Fellowship Headquarters.

 

What follows is a list of classes and activities of       Sangetsu Chapters
 
*Palmyra, VA


Asst. Professor Helena Arouca conducted monthly classes for 6 and up to 9 students. They attended the International Flowers Exhibit in Philadelphia in March of 2008, and Helena conducted two workshops at the Boys and Girls Club. In addition, a workshop was conducted to construct vases for the above mentioned exhibition, Recycle, Reuse, Recreate.
 
*Vancouver, Canada

Asst. Professor Joan Fairs continues home classes every other week for up to nine continuing students.  A beginners’ class had 9 eager students coming weekly.  Demonstrations and displays were created by Joan and her students at nine (!) flower exhibition events in the Vancouver area. In addition, Joan and her students are members of the very active Vancouver Ikebana Association, and Joan is Vice-President for two years.

*Aurora, Colorado

Instructor Natalie Montecalvo does weekly arrangements at the William Smith High School front office and the Young Parenting Program offices and classroom during the months of January through May. Natalie provides altar and center arrangements at the Colorado Johrei Center for special services and guest visits. She conducted an April workshop for four students.

*San Francisco, California

Professor Suki Davis conducts classes in her home for advanced and beginning students. Suki does arrangements for the San Francisco Center as she can. A large home vegetable, fruit tree, and flower garden provides her and her students sustenance for body and mind.

*Tucson, Arizona

Asst. Professor monthly training classes were provided by Rev. and Mrs. Ajiki. Morning and afternoon beginning class were conducted by Instructors Karen Willis and Terry Quinn each month. A six week intermediate class for six students was conducted last year by Terry Quinn. Several classes were coordinated and taught by Instructor Karen Willis at the Tucson Botanical Gardens. Karen Willis represented Sangetsu at monthly meetings at the Tucson Center.

 

Instructors provided three arrangements for the University of Arizona Art Museum fundraiser entitled Bouquets to Art last Spring. Tucson Instructors hosted a dinner for Japanese Sangetsu Instructor Miho Kumagai. Miho also did a flower demonstration for the Instructors that evening. The Tucson Center altar was refinished by Sangetsu student Laurie Brand and her husband, and completed with funding from Sangetsu Tucson. A garden bridge was built by Instructor Karey Karam and her husband George Karam.

 

Terry Quinn and Rev. Ajiki traveled to the San Francisco Center and provided demonstrations and a class there, while Instructor Margaret Kearns traveled to Tacoma Maryland (as was previously mentioned). Center flowers were arranged weekly by Instructors with funding coming either from Instructors or the local Sangetsu Tucson Chapter. A New Years Day Tea Ceremony was conducted and hosted by Sangetsu Instructors. And finally, several holiday flower arrangement fund raising events were scheduled throughout the year and supported by the Tucson Johrei Fellowship membership.


This great nature is God’s work of art. In every   branch and flower God’s skillful plan flows. We need only to go out and choose what we like from His bounty. It is not necessary for us rearrange nature; we just need to add a few touches. It is beautiful as it is as it manifests life. The important thing to remember is not to destroy these life-filled flowers and branches, for through them we taste the joys of nature’s offering.


                                       Mokichi Okada

 

Arizona-Sonora Desert Museum Exhibit

A thirty-two day flower exhibition! Yes believe it, that’s what Sangetsu Tucson Instructors did recently at the world-class Arizona-Sonora Desert Museum. Nine arrangements including a Chusaku and Taisaku, incorporated flowers, plants, dried and found objects from our desert environment. The exhibition was in conjunction with a group of national artists, who presented original botanical drawings and paintings.

Construction for "A Closer Look at Cactus and Succulents" commenced on April 3rd and a reception was held on the 5th with 450 guests in attendance. While many of the flowers were commercially grown elsewhere, some arrangements included cactus and succulents from the region. The arrangements were installed at the Desert Museum’s Ironwood Gallery.

   Chusaku by Instructors Margaret Kearns and Karen Willis

The display was refreshed two or three times each week....no small feat when you consider the drive for some was almost an hour one way. We were told that up to sixty people, sometimes more,stopp-ed to view the exhibition each day, giving us the unique opportunity to chat up Sangetsu and try to recruit new students while we were  “refreshing”.

            Arrangement by instructor Marta Vargera

Arrangement by Rev. and Sangetsu Professor Henry Ajiki

In operation for over fifty years, the Desert Museum’s mission is to inspire visitors to live in harmony with the natural world in one of the world’s most unique desert areas. The Museum is a living zoo, offering observations of over three-hundred animal species and over one thousand kinds of plants on it’s twenty one acres. We all felt very proud to have been offered the opportunity to display. We may be invited back....but I think we’ll try to make our stay a little shorter!

 

 Taisaku arrangement by Instructors Karey Karam and Terry          Quinn with assistance from George Karam

 

Sangetsu Conference and Instructor Test:

Friday October 30th, Saturday October 31st and Sunday November 1st 2009, in beautiful Tucson Arizona.

 

*The conference is open to Sangetsu instructors and students who have been recommended by their instructors.

 

*A Sangetsu Instructor test will also be administered. Please refer to Sangetsu School of Flower Arranging Policy and Guidelines for Instructor Candidate qualifications. To request a copy of the guidelines, please email terry.quinn8@gmail.com

 

*approximate fees and hotel charges to follow soon.

 

 

Ikebana at Vancouver City Hall

 A Japanese Garden was installed at Vancouver's City Hall, to celebrate the 80th Anniversary of diplomatic relations between Japan and Canada. The building of the garden began in April of 2008 and symbolically showcases the link between the political, economic, and cultural aspects of both countries.

Through the hard work of members of the Vancouver Japanese Gardeners Association and City staff, planting took place on Friday, March 13, 2009 and the official opening ceremony of the garden was scheduled for Wednesday, May 13, 2009.  The VIA was contacted with a request for four ikebana arrangements to be on display in the main reception hall where a light luncheon was enjoyed by about 120 invited guests following the ceremony.

The opening ceremonies included music by the Vancouver Fire Fighters’ Band, UzumeTaiko, a lion dancer with accompanying musicians and of course speeches by Mayor Gregor Robertson and Consul General Otsuka as well as by Mr. Kaz Takahara, president of the Japanese Gardeners Association. The official opening was done by the unveiling of a large stone lantern donated by

 

 

 

Yokohama, Vancouver’s sister city.  A red silk cloth attached to two long bamboo poles,

covered the lantern.  Mr. Robertson and Mr. Otsuka ceremonially uncovered the beautiful lantern to the applause of the audience.

Charlene Imai, the city’s protocol officer who was our contact person, later sent us a message saying how pleased they were with our arrangements.  “We had so many positive comments on the beautiful displays.  Thank-you so much for participating.”  Mrs. Sumi and

Kaz Takahashi of Kado-Sumi made a low arrangement with hosta leaves and mums, Joan Fairs of Sangetsu made a two part arrangement with Japanese pine, dogwood and peonies, Martha Banno of Ikenobo made a traditional arrangement using tropical material, and Hollis Ho of Sogetsu made an impressive arrangement with massed calla lilies and camellia branches.

 

Thank you for your 2009 Membership dues of $30.

 

Helena Arouca, Howard Doi, Joan Fairs, Alis Hiraoka, Karey Karam, Margaret Kearns, Terry Quinn, Marta Vergara, Yumiko Mayeda and Ruth Toba. Honorary lifetime members are Reverend and Mrs. H. Ajiki.

           

                Arrangement by Joan Fairs at City Hall

 

 

An Inspired Sangetsu Student

 

I'm Sarah DeLegge, a Sangetsu student aspiring to be a Sangetsu instructor.  My first class was in April 2006 after deciding I wanted to find a flower arranging class to help me adjust to my new life in Tucson.  I am from the east coast where greens and trees are abundant, after moving to Tucson I was missing a connection to nature and didn't understand how to relate to my new desert environment.  Sangetsu was just the trick that I needed!  With its emphasis on arranging naturally and using materials from the nature around you, I was quickly able to begin to see and appreciate the beauty of the landscape of the desert.

 

Flowers have always been part of my life.  My mother loved flowers and often involved me in her activities arranging and growing flowers; in High School and College my summer jobs where always in flower shops or garden nurseries.   Another passion all during my life has been the study of eastern religion.  The combination of flowers and the spiritual is what has kept me coming to Sangetsu classes and lead me to want to be an instructor so I could pass on the beauty of light and flowers.  After three years of studying Sangetsu in Tucson I am planning to take the instructors test in October.  

 

  Arrangement by Sarah DeLegge

 

VIA Spring Show Presentation

                                                            By Joan Fairs

 

One of my students, Cristina Topolscki, suggested this theme for our Spring Show.  I incorporated Mokichi Okada’s poems, one for each arrange-ment. The following is the text which went with my demonstration.

 

 

Sangetsu Ikebana and Special Occasions

 

Kado Sangetsu-Ryu, the way of flowers of the Sangetsu School, was founded on June 15th 1972 in Atami, Japan.  Our school was inspired by the flower arrangements of visionary and master artist Mokichi Okada.  Although he passed away in 1955, he had always wanted to start his own school based on naturalness, to create Paradise on Earth with flowers.  He started taking pictures of his arrangements in 1953, and taught that nature is the greatest teacher of truth and beauty.  His arrangements uplifted and inspired all who saw them.

 

Sangetsu, meaning “ moon over the mountain”, was named after a tea house Okada designed in Hakone, Japan which he called Sangetsu-an.

 

The way of Sangetsu is to express the inherent beauty of nature in a flower arrangement. Our basic principle of

“jitsu-jitsu-kyu”, which means two parts nature, one part technique, encompassing the idea that one must arrange flowers as they wish to be arranged, but in harmony with vase, purpose and setting.

 

Talking about tea houses, we will begin our demonstration with a “chabana” or ikebana for the Japanese tea ceremony. 

It is a simple but elegant style of flower arranging, with no formal written rules. It is made to improve the atmosphere between people in a room. The chabana is a silent welcome or farewell greeting. Flowers are a reflection of the host’s heart in the Chanoyu gathering. The chabana arrangement is a seasonal expression of flowers placed in a simple vase or basket.  When arranging chabana the host first selects the flowers and then an appropriate vase. The finished arrangement evokes a feeling similar to what one feels in the natural garden setting.  One line is for the guest, the other for the host, and together they build a harmonious unity.

Okada is quoted as saying, “In my style of arranging I stress natural beauty above everything else.”

            A large camellia

Was blooming in my garden.

I cut it, arranged it,

            And put it in the alcove.

            What joy I felt in living!     

Our second arrangement is for the Girls’ Festival, or Hina Matsuri held on March 3rd every year.  It is also called the peach festival since the peach blooms around that time of year in Japan.  Fifteen special ceremonial dolls are displayed in order of rank and a simple arrangement of peach blossoms and yellow flowers is also displayed.  The peach blossom is associated with femininity as it portrays gentleness, humility, softness and serenity.

Those who deeply love

            And appreciate flowers;

            Their grace, their beauty,

            Have hearts which truly must be

Equally as beautiful.

The third arrangement corresponds with the Boys’ Festival held on May 5th. The carp has become the symbol of the Boys' Festival because the Japanese consider it the most spirited of fish. One kite in the shape of a carp is flown for every boy in the household.  Among the decorations are a miniature helmet, suits of armor, a sword, a bow and arrow, silk banners bearing the family crest and warrior dolls. Shobu, Iris ensata, the Japanese iris, has long narrow leaves which are somewhat like a sword in shape,  and has always been closely associated with the Boys' Festival. In Japan, it symbolizes boyhood and courage. It is used in making a special sake, as well as being a special ingredient in the public baths, on May 5th

.

Here, Joan made a traditional “Kabuwake” arrangement using only iris and its leaves. Kabuwake means divided roots, and is usually in two parts, made with material found in or around water.  This flower is reputed to have the power to drive away evil spirits and illness and the tall straight stems stand for straightforwardness.

            The beauty of art,

            Its essence, which refreshes,

            Renews the spirit,

            Is indeed a priceless thing

            In this material world.

                       

The next arrangement is arranged in the classical style to celebrate a marriage. Leaves of the Omoto – Rhodea japonica are used because they are very green, very strong and long-lasting. The Japanese name means “ten thousand-year green”. They represent beauty, strength and longevity which, according to tradition the Japanese man seeks in a wife.  Omoto leaves are not available here, but a good substitute is the aspidistra leaf, since it is also very green, very strong and long-lasting as well as being of a similar shape.  A small bunch of berries is incorporated in the design with a small leaf curved over it, to symbolize a mother’s arm folded over the future children of the marriage.  The arrangement stands for strength, happiness, long life and many children to continue the family line.

As if some event--

Wonderous, joyous, would happen at

 any moment,

My heart has sung through the day!

In this spirit, the day ends.

 

Our last arrangement is the New Year’s Arrangements.  Since Christianity is a very small minority in Japan, New Year’s is the main celebration of the year.  There is usually a pair of arrangements which are made in the upright fashion which stand at the gate of the home.  It uses the “three friends of winter”.  It combines the dark green pine, symbolizing strength and ruggedness and also prosperity forever; light bamboo, which is straight and enduring which gives the impression of freshness; and plum, which symbolizes purity and courageous perseverance.  Using these three materials expresses the hope that the New Year will bring vigour, steadfastness, wealth, long life and virtue.

These three plant materials are also incorporated in arrangements for other happy occasions such as for births, marriages and celebrations for longevity.

One flower arrangement is a small prototype of the universe.  By studying this art we rediscover the harmony between ourselves and the universe, and become more in tune with nature.  As we arrange flowers, we actually find ourselves refreshed and freed from worries and our lives become more peaceful.  At the same time we can participate in bringing joy and beauty to others.  This is the Way of Sangetsu.

            Paradise on earth

 

            Will be a world of beauty,

 

            Where the inner hearts

 

            Of all its inhabitants

 

            Must be beautiful also.

 

Assistant Professor Joan Fairs, helper Gladie Lindgren, Narrator Dr. Jennifer Gardy.

 

 

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"I am an instructor of Sangetsu but I am also a student. It is my belief that no one ever arrives at a point of completion in regards to nature or the art of flower arranging. Nature constantly improves and renews itself, and we must follow a similar process."

 Kathy Lemler, "Transformation Through Flowers", 1993

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